As previously reported, the two are making some out-there singles in L.A.
Now, Pitchfork has spoken to representative at the studio, who said, "engineers Pete Lyman and Jeff Ehrenberg both agree that Beck's material had a Sea Change feel to it: acoustically driven, with undertones of traditional folk and Americana. The songs that Lidell worked on, however, were really on the other end of the spectrum, with a post-punk/new wave feel. The production of those songs had a darker tone, similar to Joy Division. As Pete and Jeff both said, Lidell's work was 'Suicide meets Silver Apples,' with a really great marriage of synth and vocals."
That's good, because Sea Change...well, it fucking ruled.
R.I.P. Jeremy Blake.
